Miss Nightingale
Hippodrome Casino
Cranbourn Street,
Leicester Square,
London, WC2H 7JH
Wow! This has been a week filled with some amazing nights at the theatre and Miss Nightingale was a perfect finish to a lovely week, before we fly out for a short break.
A casino isn't the first place you would think of as a site for an evening of entertainment (which did not include some fun at the tables). I had however been to this venue before for an excellent brunch and was quite excited when Joanne of Love Pop-Ups London mentioned the opportunity to review Miss Nightingale at the Casino Theatre.
Friends who had watched Miss Nightingale at the vaults last year, had really enjoyed it, but I had missed the opportunity given their short run and my over-full calendar.
We arrived at the Hippodrome. This time, I wasn't asked for my id (as this is a casino, it is one of the few places in the UK that does ask for id with age proof, so do remember to carry one). I guess I'm finally showing my age ;)
We headed up to the first floor, perusing the fascinating display cases of memorabilia from previous theatre performances at the venue.
We stood in line to get our wrist bands that would allow us entry and exit of the small theater. The tickets included a complimentary drink coupon. The drinks coupon was valid on some house wines, so the waitress was really surprised when 3 of us asked if we could use the coupon for a non-alcoholic beverage. She got permission to accept our coupons for sodas and orange juice and we were set.
This is a really small and intimate theatre. Seating for the show was arranged around 4 seats to a table. There were a few comfortable looking booths towards the rear. There are around 3 rows of tables, if you include the booths. We got a seat in the middle and this was the perfect distance to the stage. The whole seating arrangement fit in completely with the show which is set mostly in a nightclub.
The location and seats were good, the only criticism of the theater is that around half way through the play, it got really cold inside and we had to put our jackets back on and order hot coffee.
Miss Nightingale is set in an underground cabaret club in the heart of London in 1942. Maggie Brown, a nurse and aspiring singer and her best friend George Nowodny, a songwriter and Jewish refugee, become the headliners at 'The Cockpit', the newest night club in town, owned by wealthy socialite and RAF war-hero, Sir Frank Worthington-Blythe. Maggie’s married, black-marketeer beau Tom Connor, paves the way for ‘Miss Nightingale’ to be born, and the musical duo quickly find themselves with a West-End hit!
However, what the leading lady doesn’t know, is that George and Sir Frank are hiding a secret and as Miss Nightingale’s success grows, so does a forbidden love between the two men.
The play deals with so many pressing issues of that period. The rampant homophobia, where homosexuals were suspected of being spies simply because it was thought that their sexual preferences made them susceptible to be blackmailed by the enemy. Class differences, Jewish refugees, Unwed motherhood are all themes that are touched upon in this cabaret musical by Matthew Bugg.
The six member cast is multi-talented. They act, they dance, they sing, they play multiple musical instruments. They sing like angels... even though a lot of it is double entendre.
While Lauren Chinery plays the lead as Miss Nightingale (also playing the piano, clarinet, flute & saxophone), for me the star of the show was Matthew Floyd Jones who plays Jewish refugee George Nowodny. His role was more nuanced and his voice is sublime.
Oliver Mawdsley as RAF war-hero, Sir Frank Worthington-Blythe and Adam Langstaff as Maggie’s conniving beau Tom Connor are also excellent. Matthew Bugg has researched WWII era London extensively and it shows, in every setting and all the lyrics of Miss Nightingale from Meine Liebe Berlin to Stand Up & Be Counted. From Let Me Play on Your Pipe to You've Got to Get Your Sausage Where You Can.
The lyrics may be double entendre, but they are so much more than that. They convey the hardships of war time Britain, the deaths of young men at war, women being compelled to step out into the work space, but still expected to look beautiful and well made up all the time, the lack of basic provisions like tea and sugar that were considered luxuries and the black market that grew up to supply these and clothing items like nylons and silk.
Overall, Miss Nightingale was a much better experience than Chicago, which I watched on Monday. And, I FINALLY got to see some tap dancing!
Miss Nightingale is playing at Hippodrome Casino Theatre until 6th May. Tickets start at £22.50. I would definitely recommend this one.
Showing posts with label Musical. Show all posts
Showing posts with label Musical. Show all posts
Thursday, 29 March 2018
Wednesday, 14 March 2018
The Grinning Man - Trafalgar Studios
The Grinning Man Musical
Trafalgar Studios
14 Whitehall,
Westminster,
London SW1A 2DY
In April 1869, Victor Hugo published a French Novel L'Homme qui rit. The English translation was The Man Who Laughs. It has since been adapted for stage and screen.
In 2016 a musical adaptation titled The Grinning Man opened at the Bristol Old Vic, followed by a transfer to the Trafalgar Studios in London's West End from December 2017. The writer is Carl Grose and Tim Phillips & Marc Teitler are the Composer-Lyricists. The tragi-comic musical is directed by Tom Morris who co-directed War Horse.
The adapted story tells of an orphan boy Grinpayne who finds another orphaned baby girl in the freezing forest. They are rescued by a wolf Homo and taken in by a carnival vendor Ursus. Grinpayne has a mutilated face (and is perhaps the inspiration for the Joker in the Batman series) and Dea (the girl) is blind. They grow up together, with Grinpayne's disfigurement being used as a carnival attraction.
The carnival comes to London where royalty happens to see Grinpayne and instead of being horrified or disgusted or treating him as an object of humour or ridicule, Prince Dirry-Moir arrives at some kind of self-awareness and self-actualisation which pulls him out of his ennui. He introduces Grinpayne to Princess Josiana who wants to marry him.
But who is Grinpayne?
How did his face get so thoroughly mutilated as a child?
Why can't he remember his past?
Whose love is true? Dea's or Princess Josiana's?
The story itself is a tale about class differences and the vagaries of Royal edicts. Originally set in 17th Century England, under the reign of King James II it was also a political commentary of the times.
At the Trafalgar studios, the stage sets encompass the whole theater and it feels as though you are actually under the big top of a carnival. The sets by designer Jon Bausor are stunning, the music hummable and memorable, the acting is very good and the story makes you laugh and cry in turns. However, THE stand out of the show for me is the outstanding puppetry by Finn Caldwell and Toby OliƩ for Gyre & Gimble (best known for their work on War Horse). The puppets aren't caricatures, but characters themselves. The wolf and the younger versions of Grinpayne and Dea. So life like and relatable, it is very easy to empathise with them.
Louis Maskell as Grinpayne and Julian Bleach as Barkilphedro are phenomenal. Amanda Wilkin as Josiana hits some fantastic notes.
Definitely a must watch. Whether you enjoy, theater, musicals or puppetry there's something here for everybody. Its running until April 2018 at Trafalgar Studios.
Trafalgar Studios
14 Whitehall,
Westminster,
London SW1A 2DY
In April 1869, Victor Hugo published a French Novel L'Homme qui rit. The English translation was The Man Who Laughs. It has since been adapted for stage and screen.
In 2016 a musical adaptation titled The Grinning Man opened at the Bristol Old Vic, followed by a transfer to the Trafalgar Studios in London's West End from December 2017. The writer is Carl Grose and Tim Phillips & Marc Teitler are the Composer-Lyricists. The tragi-comic musical is directed by Tom Morris who co-directed War Horse.
The adapted story tells of an orphan boy Grinpayne who finds another orphaned baby girl in the freezing forest. They are rescued by a wolf Homo and taken in by a carnival vendor Ursus. Grinpayne has a mutilated face (and is perhaps the inspiration for the Joker in the Batman series) and Dea (the girl) is blind. They grow up together, with Grinpayne's disfigurement being used as a carnival attraction.
The carnival comes to London where royalty happens to see Grinpayne and instead of being horrified or disgusted or treating him as an object of humour or ridicule, Prince Dirry-Moir arrives at some kind of self-awareness and self-actualisation which pulls him out of his ennui. He introduces Grinpayne to Princess Josiana who wants to marry him.
But who is Grinpayne?
How did his face get so thoroughly mutilated as a child?
Why can't he remember his past?
Whose love is true? Dea's or Princess Josiana's?
The story itself is a tale about class differences and the vagaries of Royal edicts. Originally set in 17th Century England, under the reign of King James II it was also a political commentary of the times.
At the Trafalgar studios, the stage sets encompass the whole theater and it feels as though you are actually under the big top of a carnival. The sets by designer Jon Bausor are stunning, the music hummable and memorable, the acting is very good and the story makes you laugh and cry in turns. However, THE stand out of the show for me is the outstanding puppetry by Finn Caldwell and Toby OliƩ for Gyre & Gimble (best known for their work on War Horse). The puppets aren't caricatures, but characters themselves. The wolf and the younger versions of Grinpayne and Dea. So life like and relatable, it is very easy to empathise with them.
Louis Maskell as Grinpayne and Julian Bleach as Barkilphedro are phenomenal. Amanda Wilkin as Josiana hits some fantastic notes.
Definitely a must watch. Whether you enjoy, theater, musicals or puppetry there's something here for everybody. Its running until April 2018 at Trafalgar Studios.
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